• Home
  • Work
    • Bourke's Regulars
    • The Future's Bright
    • Portraits of Employees Deceased, Left, Retired
    • From Around These Parts
    • Pictures of People in Public Places
  • Short Stories
    • Bye Bye Baker Building
    • Demolition
    • New Faces
    • On the Steps
    • Out of Season
    • Socially Distant
    • The Touring Shroud
    • Somewhere In-between
  • Publications
    • Framelines
    • Normal Service Will Be Resumed
    • No Smoking After 4pm
    • Portmanteau
  • Black & White
    • Darkroom Workbook
    • Black & White Gallery
  • Commercial
    • Family
    • Portraits
    • Product
  • Blog
  • Contact
  • Menu

Matt Peers

  • Home
  • Work
    • Bourke's Regulars
    • The Future's Bright
    • Portraits of Employees Deceased, Left, Retired
    • From Around These Parts
    • Pictures of People in Public Places
  • Short Stories
    • Bye Bye Baker Building
    • Demolition
    • New Faces
    • On the Steps
    • Out of Season
    • Socially Distant
    • The Touring Shroud
    • Somewhere In-between
  • Publications
    • Framelines
    • Normal Service Will Be Resumed
    • No Smoking After 4pm
    • Portmanteau
  • Black & White
    • Darkroom Workbook
    • Black & White Gallery
  • Commercial
    • Family
    • Portraits
    • Product
  • Blog
  • Contact

My Bad? Good!

June 18, 2014 in Photography skills, Composition, Technique, Street Photography

Probably more often than some photographers would admit, the image you want to take doesn’t happen. Technical failure or good old fashioned human error, it doesn’t matter; it’s way off what you intended. Once you’ve noticed an error, it is very tempting to quickly delete it and move on. Indeed, you may be short of memory... but before you do, hold off and try and see what it looks like on a proper screen.

The small proportions and lower resolution of an in-camera screen is not as honest  a reflection of the image as you may think, so you could well be throwing some pictural babies out with your digital bath water. Out of focus blurring, for example, can add rather than detract from the impact of the image. Would Robert Capa’s D Day landing image have the same impact if it was pin sharp?

Of course many mistakes aren't worth recovering, but once you rescue a beauty, what then? Have a look at the image meta data - i.e. what was the  aperture, exposure time, lens focal length? By understanding that and what went wrong you could now have a technique to add to your repertoire that you can explore again and again. However, If you can't for the life of you fathom how it was done ...well, just put it down to kismet and enjoy the results.

Till next time... 

Matt Peers

 

Tags: Matt Peers, Birmingham, Street Photography, Tutorial, Portraits
Prev / Next

Latest Posts

Blog
Normal Service Will Be Resumed - The Ilford Blog
Normal Service Will Be Resumed - The Ilford Blog
about 8 months ago
Ready for launch
Ready for launch
about 8 months ago
Framelines Feature
Framelines Feature
about 9 months ago
Behind the Image #29
about 5 years ago
The shifting verticals and horizontals of Milton Keynes
The shifting verticals and horizontals of Milton Keynes
about 5 years ago

I was obviously a good boy in 2019, as at Christmas, Santa Claus flew via Japan and got me a 75mm f4.5 shift lens for my Pentax 67II. Where better to test the precise verticals than the clean lines of Milton Keynes…

Not being Vivian Maier - a sort of review of the Rolleiflex 2.8f
Not being Vivian Maier - a sort of review of the Rolleiflex 2.8f
about 5 years ago

It has nearly been 12 months since I got my hands on a Rolleiflex 2.8f, and whilst I'm not usually a reviewer of equipment, I'd like to share my experience of using this iconic camera and the inspiration behind me finally owning one.

Behind the image #28
about 6 years ago
Kent Light
Kent Light
about 6 years ago
Three Billboards
Three Billboards
about 6 years ago

Three Billboards in Digbeth

A Notion of Heritage
A Notion of Heritage
about 6 years ago

What you doing?"

"What you doing that for?"

"Why here?"

I get these questions regularly when I'm out shooting, but never more so than my recent couple of visits to Milton Keynes.