• Home
  • Work
    • Bourke's Regulars
    • The Future's Bright
    • Portraits of Employees Deceased, Left, Retired
    • From Around These Parts
    • Pictures of People in Public Places
  • Short Stories
    • Bye Bye Baker Building
    • Demolition
    • New Faces
    • On the Steps
    • Out of Season
    • Socially Distant
    • The Touring Shroud
    • Somewhere In-between
  • Publications
    • Framelines
    • Normal Service Will Be Resumed
    • No Smoking After 4pm
    • Portmanteau
  • Black & White
    • Darkroom Workbook
    • Black & White Gallery
  • Commercial
    • Family
    • Portraits
    • Product
  • Blog
  • Contact
  • Menu

Matt Peers

  • Home
  • Work
    • Bourke's Regulars
    • The Future's Bright
    • Portraits of Employees Deceased, Left, Retired
    • From Around These Parts
    • Pictures of People in Public Places
  • Short Stories
    • Bye Bye Baker Building
    • Demolition
    • New Faces
    • On the Steps
    • Out of Season
    • Socially Distant
    • The Touring Shroud
    • Somewhere In-between
  • Publications
    • Framelines
    • Normal Service Will Be Resumed
    • No Smoking After 4pm
    • Portmanteau
  • Black & White
    • Darkroom Workbook
    • Black & White Gallery
  • Commercial
    • Family
    • Portraits
    • Product
  • Blog
  • Contact

Behind the image #5

September 23, 2014 in Portraits, Street Photography, Behind the image

We all know the adage about not judging a book by its cover, but most of us regularly do, if we are honest.  When I approach what I consider to be 'interesting people' for a street portrait, I can't help prejudging the reaction I'll get just  before I approach them. Last week I approached two people in the city centre, the first was an old sea dog at a bus stop that had just started to smoke his pipe. World weariness and tales form the sea were deeply etched on to his face and ideal for a portrait. We chatted politely for a while,but at my request of a photograph his face contorted with rage - along with the demand of £100 and the threat of calling the police. Although I thought he was a shoe-in, all the Werther's originals and friendly banter in the world wasn't going to get me that portrait.

Four days later, when I saw this young Mum and her brood, I assumed it would be a flat 'no thank you'.   I thought her alternative look, including facial piercings and tattoos, may  leave her guarded  about how she is perceived by the older generation. She was in fact by far the politest and most considerate person I met all week.

Till next time...

Matt Peers

 

You may also like to read
Normal Service Will Be Resumed - The Ilford Blog
Sep 22, 2024
Normal Service Will Be Resumed - The Ilford Blog
Sep 22, 2024
Sep 22, 2024
Ready for launch
Sep 20, 2024
Ready for launch
Sep 20, 2024
Sep 20, 2024
Framelines Feature
Sep 17, 2024
Framelines Feature
Sep 17, 2024
Sep 17, 2024
Pentax67II&5mmShftPro400HFeb2020 (5web).jpg
Mar 21, 2020
Behind the Image #29
Mar 21, 2020
Mar 21, 2020
The shifting verticals and horizontals of Milton Keynes
Feb 27, 2020
The shifting verticals and horizontals of Milton Keynes
Feb 27, 2020

I was obviously a good boy in 2019, as at Christmas, Santa Claus flew via Japan and got me a 75mm f4.5 shift lens for my Pentax 67II. Where better to test the precise verticals than the clean lines of Milton Keynes…

Feb 27, 2020
Not being Vivian Maier - a sort of review of the Rolleiflex 2.8f
Nov 12, 2019
Not being Vivian Maier - a sort of review of the Rolleiflex 2.8f
Nov 12, 2019

It has nearly been 12 months since I got my hands on a Rolleiflex 2.8f, and whilst I'm not usually a reviewer of equipment, I'd like to share my experience of using this iconic camera and the inspiration behind me finally owning one.

Nov 12, 2019
Pentax105mmFujiPro400September 2018 -4(web) copy.jpg
May 10, 2019
Behind the image #28
May 10, 2019
May 10, 2019
Kent Light
Dec 6, 2018
Kent Light
Dec 6, 2018
Dec 6, 2018
Three Billboards
Oct 19, 2018
Three Billboards
Oct 19, 2018

Three Billboards in Digbeth

Oct 19, 2018
A Notion of Heritage
Jul 27, 2018
A Notion of Heritage
Jul 27, 2018

What you doing?"

"What you doing that for?"

"Why here?"

I get these questions regularly when I'm out shooting, but never more so than my recent couple of visits to Milton Keynes.

Jul 27, 2018
Tags: Birmingham, Portraits, Street Photography, female portrait, Mother and children
Prev / Next

Latest Posts

Blog
Normal Service Will Be Resumed - The Ilford Blog
Normal Service Will Be Resumed - The Ilford Blog
about 8 months ago
Ready for launch
Ready for launch
about 8 months ago
Framelines Feature
Framelines Feature
about 9 months ago
Behind the Image #29
about 5 years ago
The shifting verticals and horizontals of Milton Keynes
The shifting verticals and horizontals of Milton Keynes
about 5 years ago

I was obviously a good boy in 2019, as at Christmas, Santa Claus flew via Japan and got me a 75mm f4.5 shift lens for my Pentax 67II. Where better to test the precise verticals than the clean lines of Milton Keynes…

Not being Vivian Maier - a sort of review of the Rolleiflex 2.8f
Not being Vivian Maier - a sort of review of the Rolleiflex 2.8f
about 5 years ago

It has nearly been 12 months since I got my hands on a Rolleiflex 2.8f, and whilst I'm not usually a reviewer of equipment, I'd like to share my experience of using this iconic camera and the inspiration behind me finally owning one.

Behind the image #28
about 6 years ago
Kent Light
Kent Light
about 6 years ago
Three Billboards
Three Billboards
about 6 years ago

Three Billboards in Digbeth

A Notion of Heritage
A Notion of Heritage
about 6 years ago

What you doing?"

"What you doing that for?"

"Why here?"

I get these questions regularly when I'm out shooting, but never more so than my recent couple of visits to Milton Keynes.